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    Home»Celebrities»Teyana Taylor Makes Golden Globe History As Second Caribbean-Rooted Black Winner 
    Celebrities

    Teyana Taylor Makes Golden Globe History As Second Caribbean-Rooted Black Winner 

    Team_Jamaica 14By Team_Jamaica 14January 14, 2026No Comments5 Mins Read
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    Information Americas, LOS ANGELES, CA, Weds. Jan. 14, 2026: When Teyana Taylor accepted the Golden Globe for Finest Supporting Actress on Jan. 11, 2026, she joined a really brief and historic record. She grew to become solely the second Black actor of Caribbean heritage to win a Golden Globe, following the late Bahamian-roots movie legend, Sidney Poitier. She additionally joined an elite group – simply 1 of 17 Black actors total to win a Golden Globe.

    US actress Teyana Taylor, who additionally has Caribbean roots, poses within the press room with the Finest Supporting Actress in a Movement Image award for “One Battle After One other” in the course of the 83rd annual Golden Globe Awards on the Beverly Hilton lodge in Beverly Hills, California, on January 11, 2026. (Photograph by Etienne Laurent / AFP by way of Getty Pictures)

    Greater than six a long time after Poitier broke limitations in Hollywood, Taylor’s win marks a brand new chapter in Caribbean diaspora illustration, connecting generations of Black excellence throughout movie, tradition, and geography. But, it’s a milestone that largely flew beneath the radar.

    Born in Harlem to a Trinidadian father and an African American mom, Taylor has lengthy embodied a layered cultural id. Whereas she was raised primarily by her mom in New York Metropolis, she has persistently acknowledged each side of her heritage – an American upbringing formed by Caribbean lineage, resilience, and affect.

    Taylor’s father, Tito Smith, is Trinidadian, connecting her on to the Caribbean and its diaspora that has formed New York Metropolis for generations. Although she was raised by her mom, Nikki Taylor, in Harlem, that Caribbean lineage has all the time been a part of her private narrative, even when it has not been foregrounded in mainstream protection.

    Reggae Music Festival

    In an business the place Caribbean id is commonly flattened or neglected, Taylor’s win stands out as a reminder that Caribbean affect extends far past music genres like reggae, soca, or dancehall – it’s woven deeply into Black American cultural achievement throughout movie, vogue, and efficiency.

    US singer actress Teyana Taylor's roots extend to the Caribbean. Here she attends the Time100 Next gala at Chelsea Piers in New York City on October 30, 2025.
    US singer actress Teyana Taylor’s roots prolong to the Caribbean. Right here she attends the Time100 Subsequent gala at Chelsea Piers in New York Metropolis on October 30, 2025. (Photograph by CHARLY TRIBALLEAU / AFP) (Photograph by CHARLY TRIBALLEAU/AFP by way of Getty Pictures)

    A lot of Taylor’s grounding, she says, comes from her mom, who has served not solely as her guardian but in addition as her supervisor and stylist all through her profession. A former supermodel and tv presenter, Taylor raised her daughter as a single mom in Harlem, fostering each inventive freedom and self-discipline.

    That mother-daughter partnership has been central to Teyana Taylor’s evolution from teenage dancer to award-winning actress. It is usually a narrative that resonates strongly inside Caribbean and diaspora households, the place matriarchal power usually performs a defining position in shaping generational success.

    Taylor’s rise has by no means adopted a straight line. She entered the business early – choreographing Beyoncé’s “Ring the Alarm” at simply 15, dancing in Jay-Z’s “Blue Magic,” and later changing into a inventive pressure inside Kanye West’s inventive universe. But, for years, she was undervalued as a singer and boxed into slim expectations.

    Her pivot into movie proved transformative.

    Her breakout efficiency in ,A Thousand and One, earned vital acclaim, but it surely was her position as Perfidia in Paul Thomas Anderson’s ‘One Battle After One other,’ that redefined her public notion. Critics praised her portrayal for its emotional depth, vulnerability, and quiet depth – qualities that stood in stark distinction to Hollywood’s standard framing of Black ladies as both hyper-strong or one-dimensional.

    On the Golden Globes, Taylor used her acceptance speech to underscore that shift. “To my brown sisters and little brown women watching tonight,” she stated, “our softness will not be a legal responsibility. Our depth will not be an excessive amount of. Our gentle doesn’t want permission to shine.”

    Taylor’s Golden Globe locations her alongside a small, highly effective group of Black winners that features Poitier in addition to Donald Glover, Halle Berry, Viola Davis, Denzel Washington, Regina King, Morgan Freeman, Mahershala Ali, Whoopi Goldberg, Jamie Foxx, Octavia Spencer, Eddie Murphy, Chadwick Boseman, Sterling Okay. Brown, Oprah Winfrey and Ryan Coogler.

    What makes Taylor’s second distinct is the way it quietly expands that lineage to explicitly embrace the Caribbean diaspora – a group whose cultural contributions to international Black id are immense, but usually uncredited in mainstream awards narratives. Her win additionally arrives at a time when Caribbean-descended artists are more and more crossing boundaries between music, movie, vogue and directing, refusing to be confined to a single lane.

    Teyana Taylor has by no means framed herself as a logo – however symbolism adopted her anyway. As a Harlem-born artist with Trinidadian roots, raised by a fiercely unbiased Black girl, Taylor represents a type of diaspora success that doesn’t depend on erasure or assimilation. Her Golden Globe isn’t just a private triumph; it’s a marker of visibility for Caribbean-descended expertise working on the highest ranges of world leisure.

    In a room the place historical past is commonly gradual to vary, her win quietly widened it. And for the Caribbean diaspora watching – from New York to Port of Spain to past – it was a reminder that generally, illustration arrives not with a highlight, however with a second that makes historical past just by current.

     



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